Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Ìàëåíüêàÿ êîìåäèÿ íðàâîâ — 2000 (Èçó÷àåì èíîñòðàííûå ÿçûêè)

Êíèãà ðàññ÷èòàíà íà øèðîêèé êðóã ÷èòàòåëåé, èçó÷àþùèõ àíãëèéñêèé ÿçûê. Êàæäàÿ ñòðàíèöà òåêñòà ñíàáæåíà ïîñòðàíè÷íûì ñëîâàðåì è êîììåíòàðèåì, à òàêæå ïåðåâîäîì ðàçëè÷íûõ ëåêñè÷åñêèõ è ãðàììàòè÷åñêèõ òðóäíîñòåé.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Joyce J., Dubliners. A Portrait of the Artist As a Young Man. — 1982

Äæåéìñ Äæîíñ - êëàññèê àíãëî-èðëàíäñêîé ëèòåðàòóðû, îêàçàâøèé áîëüøîå âëèÿíèå íà ñèñòåìó õóäîæåñòâåííî-èçîáðàçèòåëüíûõ ñðåäñòâ çàðóáåæíîé ïðîçû XX ñòîëåòèÿ.  êíèãó âêëþ÷åíû ðàííèå ïðîèçâåäåíèÿ ïèñàòåëÿ, ñîçäàííûå èì â ïåðâûå äâà äåñÿòèëåòèÿ ïðîøëîãî âåêà. Ñáîðíèê ðàññêàçîâ Äóáëèíöû, áëàãîäàðÿ ìàñòåðñòâó ïñèõîëîãè÷åñêîãî àíàëèçà, ñòàë çíà÷èòåëüíûì ÿâëåíèåì â èñòîðèè àíãëèéñêîé è èðëàíäñêîé ïðîçû. Ðîìàí Ïîðòðåò õóäîæíèêà â þíîñòè - èñòîðèÿ ñòàíîâëåíèÿ ïèñàòåëÿ â Èðëàíäèè êîíöà XIX - íà÷àëà XX âåêîâ. Ñáîðíèê ñîïðîâîæäàåòñÿ âñòóïèòåëüíîé ñòàòüåé è êîììåíòàðèÿìè ê òåêñòó è ðàñ÷èòàí íà ñòóäåíòîâ-ôèëîëîãîâ, à òàêæå âñåõ, êòî èíòåðåñóåòñÿ àíãëî-èðëàíäñêîé ëèòåðàòóðîé.

Ñîäåðæàíèå: The Sisters; An Encounter; Araby; Eveline; After the Race; Two Gallants; The Boarding House; A Little Cloud; Counterparts; Clay; The Painful Case; Ivy Day in the Committiee Room; A Mother; Grace: The Dead è äð.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Joyce J., Dubliners — 1996 (Penguin Popular Classics)

Although only 24 when he signed his first publishing contract for Dubliners, Joyce already knew its worth: to alter it in any way would "retard the course of civilisation in Ireland". Each of the fifteen stories offers a glimpse of the lives of ordinary Dubliners - a deat an encounter, an opportunity not taken, a memory rekindled - and collectively paint a portrait of a nation. This edition is introduced and annotated by Jeri Johnson - who gives a witty and informative insight into the context, meanings, and reception of Joyce's work

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Joyce J., A Portrait of the Artist as a Young Man — 1996 (Penguin Popular Classics)

This title includes Introduction and Notes by Dr. Jacqueline Belanger, University of Cardiff. A Portrait of the Artist as a Young Man represents the transitional stage between the realism of Joyce's Dubliners and the symbolism of Ulysses , and is essential to the understanding of the later work. This novel is a highly autobiographical account of the adolescence of Stephen Dedalus, who reappears in Ulysses , and who comes to realize that before he can become a true artist, he must rid himself of the stultifying effects of the religion, politics and essential bigotry of his background in late 19th century Ireland

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Joyce J., Poems — 2003

Ñáîðíèê ïðåäñòàâëÿåò ñàìîå ïîëíîå ñîáðàíèå ñòèõîòâîðåíèé Äæåéìñà Äæîéñà, êðóïíåéøåãî ïèñàòåëè-ìîäåðíèñòà XX âåêà.  íåãî âîøëè è îïóáëèêîâàííûå, è íå ïáëèêîâàâøèåñÿ ïðè æèçíè ïèñàòåëÿ ñòèõè â òîì ÷èñëå "ñòèõè íà ñëó÷àé". Ïðîèçâåäåíèÿ Äæîéñà ïóáëèêóþòñÿ íå òîëüêî â ðóññêîì ïåðåâîäå, íî è â îðèãèíàëå.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Joyce J., Dubliners — 1988

Although only 24 when he signed his first publishing contract for Dubliners, Joyce already knew its worth: to alter it in any way would retard the course of civilisation in Ireland. Each of the fifteen stories offers a glimpse of the lives of ordinary Dubliners - a deat an encounter, an opportunity not taken, a memory rekindled - and collectively paint a portrait of a nation. This edition is introduced and annotated by Jeri Johnson - who gives a witty and informative insight into the context, meanings, and reception of Joyce s work

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Christmas Reader — 1986

The wonderful anthology of verse and prose, short stories, reminiscences and diary entries, ranging from the traditional to the subversive, the whimsical to the sinister, the ironic to the tragic. Exquisitely illustrated with black and white drawings from many periods, The Christmas Reader is a perfect source-book for reading aloud to family and friends.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî àíãëèéñêîé ëèòåðàòóðå ÕÕ âåêà — 1985

Õðåñòîìàòèÿ ïðåäñòàâëÿåò ñîáîé ïîñîáèå ïî êóðñó àíãëèéñêîé ëèòåðàòóðû XX âåêà äëÿ ñòóäåíòîâ ôàêóëüòåòîâ èíîñòðàííûõ ÿçûêîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ.  íåå âõîäÿò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ ïèñàòåëåé è ïîýòîâ. Îòêðûâàåò êíèãó êðàòêèé î÷åðê, õàðàêòåðèçóþùèé àíãëèéñêóþ ëèòåðàòóðó ÕÕ âåêà, åå îñíîâíûå íàïðàâëåíèÿ è òåíäåíöèè. Êàæäîìó ïðåäñòàâëåííîìó â õðåñòîìàòèè àâòîðó ïðåäøåñòâóåò êðàòêàÿ áèîãðàôè÷åñêàÿ ñïðàâêà. Êíèãà çàâåðøàåòñÿ ïîäðîáíûìè ïðèìå÷àíèÿìè, äàþùèìè íåîáõîäèìûå ëèíãâèñòè÷åñêèå, ëèòåðàòóðíûå è èñòîðè÷åñêèå ïîÿñíåíèÿ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

James H., Imaginative Litterature:Selections from the Twentieth Century. Vol.I. Great Books V.59

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

An Antology of English and American Verse — 1972

Ïðåäëàãàåìàÿ âíèìàíèþ ÷èòàòåëÿ Àíòîëîãèÿ àíãëèéñêîé è àìåðèêàíñêîé ïîýçèè ÿâëÿåòñÿ íàèáîëåå ïîëíûì è ïðåäñòàâèòåëüíûì ñîáðàíèåì ñòèõîòâîðåíèé, íàðîäíûõ áàëëàä è ôðàãìåíòîâ èç ïîýì íà àíãëèéñêîì ÿçûêå. Àíòîëîãèÿ ñîäåðæèò 475 ïðîèçâåäåíèé, ïðèíàäëåæàùèõ ïåðó 169 ïîýòîâ. Âñå ïðîèçâåäåíèÿ ðàñïîëîæåíû â õðîíîëîãè÷åñêîì ïîðÿäêå. Êíèãà àäðåñîâàíà ÷èòàòåëþ, âëàäåþùåìó àíãëèéñêèì ÿçûêîì, à òàêæå çíàêîìîìó ñ èñòîðèåé àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðû, ò.å., â ïåðâóþ î÷åðåäü, ñòóäåíòàì ñòàðøèõ êóðñîâ, àñïèðàíòàì è ïðåïîäàâàòåëÿì âûñøèõ ó÷åáíûõ çàâåäåíèé ãóìàíèòàðíîãî ïðîôèëÿ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

English Poetry. 1918-60 — 1983 (The Penguin Poets)

This collection now contains 175 poems by 86 poets and ranges chronologically from W.B.Yeats to Geoffrey Hill.The character of the anthology can be simply indicated.It is a representative collection of English verse written between 1918 and 1960.The present collection, which was first published under the title THE PENGUIN BOOK OF CONTEMPORARY VERSE in 1950 and has been frequently reprinted, has been widely acclaimed and remains one of the best known and most constantly used anthologies of modern poetry to have appeared

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Way It Was Not. English and American Writers in Parody — 1983

 ñáîðíèê âîøëè íàèáîëåå èçâåñòíûå îáðàçöû øèðîêî ðàñïðîñòðàíåííîãî â àíãëî-àìåðèêàíñêîé ëèòåðàòóðíîé òðàäèöèè æàíðà ïàðîäèè. ×èòàòåëü ïîçíàêîìèòñÿ êàê ñ ïàðîäèÿìè íà òâîð÷åñòâî èçâåñòíûõ ïèñàòåëåé- Äèêêåíñà, Êóïåðà, Ëîíãôåëëî, Ãîëñóîðñè è äð., òàê è ñ ïàðîäèÿìè íà îòäåëüíûå ëèòåðàòóðíûå æàíðû - äåòåêòèâ, ñåíòèìåíòàëüíûé ðîìàí, ëèòåðàòóðîâåä÷åñêóþ ñòàòüþ è ïð. Ñáîðíèê ñîïðîâîæäàåòñÿ âñòóïèòåëüíîé ñòàòüåé è êîììåíòàðèÿìè.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Imagist Poetry — 1981

This anthology traces the complicated evolution of imagism through its poetry from the pre-imagists and the period of the anthologies (1914-17) to the imagists after imagism.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Joyce J., The Portable James Joyce — 1977

— Four complete works: A Portrait of the Artist As a Young Man, Dubliners, Collected Poems (including Chamber Music) and Exiles, James Joyce s only drama — A generous sampling from Ulysses — Selections from Finnegans Wake (including the famous Anna Livia Plurabelle episode) — A volume that makes Joyce easily available, in compact form, to peripatetic Joyceans—Leon Edel

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Joyce J., The Essential James Joyce — 1981

This work includes excerpts from A Portrait of an Artist as a Young Man, Dubliners and Exiles, and shorter extracts from his other works.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Penguin Book of Contemporary Verse. 1918-60 — 1977

The present collection, which was first published in 1950 and has been reprinted seventeen times, has been widely acclaimed and remains one of the best known and most constantly used anthologies of modern poetry to have appeared.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Äæîéñ Ä., Äóáëèíöû — 2010 (Àóäèîêíèãà)

 ýòó àóäèîêíèãó âîøëè êîëîðèòíûå è îñòðîóìíûå ðàññêàçû öèêëà "Äóáëèíöû", íàïèñàííûå åùå â íåõàðàêòåðíîé äëÿ âåëèêîãî ïèñàòåëÿ ðåàëèñòè÷åñêîé ìàíåðå è ïîçâîëÿþùèå ÷èòàòåëþ çàãëÿíóòü â ðàáî÷èå è ìåëêîáóðæóàçíûå êâàðòàëû èðëàíäñêîé ñòîëèöû íà÷àëà XX âåêà

Ñîäåðæàíèå: Àðàâèÿ (17 ìèí. 57 ñåê.)Ýâåëèíà (14 ìèí. 24 ñåê.); Ïîñëå ãîíîê (18 ìèí. 09 ñåê.); Êàâàëåðû (25 ìèí. 10 ñåê.);  ïàíñèîíå (19 ìèí. 51 ñåê.); Îáëà÷êî (34 ìèí. 26 ñåê.); Íåîêîí÷åííàÿ ïåðåïèñêà (ëè÷èíû) (23 ìèí. 48 ñåê.); Çåìëÿ (18 ìèí. 06 ñåê.); Óæàñíûé ñëó÷àé (28 ìèí. 20 ñåê.); Ãîäîâùèíà Ïàðíåëÿ (32 ìèí. 33ñåê.); Ìåòðâûå (1÷. 55ìèí. 15 ñåê.)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Joyce J., A Portrait of the Artist as a Young Man — 1968 (Penguin books) (Penguin Modern Classics)

A Portrait of the Artist as a Young Man is one of the most well-known works by James Joyce. The book is largely autobiographical, and was first published in 1916. Read more about A Portrait of the Artist as a Young Man.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Àíãëèéñêèå ðàññêàçû — 1993 (Áèáëèîòåêà äëÿ äîìàøíåãî ÷òåíèÿ)

 ñáîðíèê âîøëè ðàññêàçû èçâåñòíûõ àíãëèéñêèõ ïèñàòåëåé, ìàñòåðîâ æàíðà êîðîòêîãî ðàññêàçà: Ä. Ëîóðåíñà, Ê. Ìýíñôèëä, Ä. Äæîéñà, Ó. Ñîìåðñåòà Ìîýìà, Î. Õàêñëè, È. Âî, Ä. Óýéíà, Ñ. ×àïëèíà. Ïðèâîäÿòñÿ ñâåäåíèÿ î æèçíè è òâîð÷åñòâå àâòîðîâ, çàäàíèÿ äëÿ êîíòðîëÿ è ïîíèìàíèÿ ïðî÷èòàííîãî è äëÿ îáñóæäåíèÿ â àóäèòîðèè. Äëÿ èçó÷àþùèõ àíãëèéñêèé ÿçûê â èíñòèòóòàõ è íà ôàêóëüòåòàõ èíîñòðàííûõ ÿçûêîâ è äëÿ âñåõ íà÷èíàþùèõ ÷èòàòü àíãëèéñêóþ ïðîçó â ïîäëèííèêå.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Joyce J., Dubliners — 2011 (Collins Classics)

"Snow was general all over Ireland. It was falling on every part of the dark central plain, on the treeless hills, falling softly upon the Bog of Allen and, farther westward, softly falling into the dark mutinous Shannon waves". From a child grappling with the death of a fallen priest, to a young woman's dilemma over whether to elope to Argentina with her lover, to the dance party at which a man discovers just how little he really knows about his wife, these fifteen stories bring the gritty realism of existence in Joyce's native Dublin to life

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ